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he may change the course of history, just like punching shakespear.
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I'm going to make a completely random prediction, just because I think it'd be cool. Please disregard awkward dialogue, as I'm kind of sleepy and wrote this in one run-through.
Spoiler:
The TARDIS winds up, through sheer accident, inside the building where Hitler is staying. It's the day he was meant to die. If you remember, Hitler killed himself when he realized he was going to lose the war, rather than be captured.
The Doctor makes the mistake of telling them where they are. Hitler is sitting in his study. There's a small kitchen attached. Rory walks into the study. The Doctor and Amy open the door. They see Hitler face to face. They're too stunned at actually seeing the man to do anything. But not Rory. He walks up and punches him square in the face, knocking him out cold. Rory: "Never thought I'd have the chance to do that." They hear voices coming down the hall. Amy: "What do we do?" Doctor: "Quickly! Get in the kitchen. Amy and Rory go to hide Hitler in the kitchen while the Doctor closes the door to the kitchen, then stands there as the two military officers come in. "Where is the fuhrer?" Doctor: "He went... thataway." Points down the hall. "Said he had a... a thing to do. You know, the thing with the thing?" "Oh, right. I should've known." They walk out and head down the hallway. Rory and Amy come out of the kitchen. Rory has a little bit of blood on him. Doctor: "You didn't!" Rory: "What?" Glances at the blood. "Oh, no... That was from punching him." Doctor: "Where is he?" Amy: "In the cupboard." Cue intro. Then they have a wacky episode with all kinds of hilarious hijinks and goofy chase scenes. But at the end, the Doctor, Amy, and Rory are watching through the cracks in the door as the two officers ask Hitler what he wants to do. Hitler describes a complex military strategy. The Doctor smiles for a second and says, "That's actually brilliant," then looks horrified. "He was supposed to die today. Hitler killed himself today. But he didn't because you clocked him on the head and he didn't have the time to think about it. You just might have cost the Allies the war." Amy pinches Rory. Amy: "Good going." Rory: "Owww. Well, can't we just kill him?" Doctor: "Then he'll just become a martyr, and make his cause stronger. The two of you. Back to the TARDIS. And stay there. Don't leave it for any reason. I'll be there in a few minutes." The Doctor walks into Hitler's room. He holds up his sonic screwdriver and locks the (metal, to protect against bullets) door. He then proceeds to explain to Hitler that he's seen the future, scare the everliving hell out of him, and convince him that being captured by the Allies would lead to a fate worse than death. Tells him about how Nazis are seen in the future. As nothing but monsters and genocidal maniacs who from dusk til dawn thought of nothing but killing off an entire race. Basically, convince him that suicide is the only option. The Doctor walks out of the room, closing the door behind him. He pauses, and we hear a gunshot. He walks back to the TARDIS, looking down. Opens the door. Amy and Rory both appear relieved he's alright. Amy: "What happened?" The Doctor: "History has been rectified." Rory: "Well, that's good." The Doctor, mumbling: "And I killed off two in an instant..." Rory: "What?" The Doctor, perking up: "Nothing. Where to next?" Spoiler:
And then we all get sad as we realize the Doctor thinks he's worse than Hitler.
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Over 100 pages and I killed it with my stupid predictions. :(
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Predictions are fun! :D
Teaser time anyone...? |
LKH teasers...
Spoiler:
The Doctor crops up in the most oddest of places.
Looks like the TARDIS gets some mail. A 1982 Prince song almost hits The Doctor. River Song and The Doctor's relationship is tied up in a bow. Someone does an impersonation of The Terminator. Rory is not gay whilst Hitler is definitely in the closet. Is that a banana in your pocket? The Vampires of Venice is mentioned at a crucial moment by The Doctor. Other people know about The Doctor's death~day. Hitler isn't the only person someone wants to kill. A film referenced in The Impossible Astronaut is referenced again. Twice. The words "the Silence" are visibly apparent. We meet young Amelia and young Rory. Mel travels in the TARDIS. We see another side to River Song. We find out what really sunk the Titanic The fate of the young girl in The Impossible Astronaut is dealt with It is set in the 1930s and not during the war Also, the title for episode 12... Closing Time |
He'll have to be careful not to cross his own timeline with the event taking place in 1912 if he visits.
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Hence the teaser: It is set in the 1930s and not during the war. |
yes but the doctor was on the titanic.
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Four comments on it twice. Nine comments on it. And Eleven could visit too. It's one of those times where I suspect all the Doctors would visit. And he can interact with himself no problem because he knows what he's doing and the former incarnation wouldn't know who the current Doctor is. Of all the teasers and discussion points, what a bizarre one to pick up on xD |
Well in honesty i don't question moffat, yet anyways. But if he keeps using the same basic monsters, the same solution then i will start.
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Well his plot at the moment is all over the place but that is okay for now as long as it's all tied up in a nice little bow.
However a lot of the monsters Moffet has have been using visual elements as there key fear factor. Look away and your dead, Weeping Angel, The Silence, The Siren did it kind of in only something you could see a reflection in was a portal, The doppelgangers were exactly the same looks wise and that was once again there main fear factor, The creature from Vincent and the Doctor, Invisable, and the vashder navadar were also based on visual as when it's dark and you can't see, your dead. As much as RTD writing in places left a lot of questions his monster were good, Slitheen, Absorbalof, Reapers, The empty Child! They were all so different and always fresh. But now it seems too many of Moffets creations are based on visual fear. As for Moffets solution Timey Wimey seems his big winner which worked once maybe twice but he's got to have some more solutions. |
Fair points. His monsters do tend to be based around sight/misperception, etc. That said, remember there are other writers. And the same for the RTD era: it was Moffat who created the empty child, the Angels, the clockwork droids... all visually iconic.
As for his timey-wimey stuff... it used to be clever. Now it's just crap. |
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